Throughlines+and+Site+Visits

Throughlines Eve Cooke stage fighting and dueling Helen Healy stage fighting and dueling Sam Beckett kinds of acting & practice Maya Joyce technical aspect of production Janae Torres. Language Cianna Stovall language Ellie (Gabrielle) Whittam Character portrayal Dan Schapiro Gender and performing today (no credit) Bri McLaughlin. Gender (no credit)

Did Shakespeare write his plays? Crystal and Crystal (handout) Introduction to the First Folio, Doug Moston (handout) Romantic Comedies: William Carroll (handout) Tragedies: Linda Woodbridge (handout) Roman Plays: Alexander Leggatt (handout) Romances: Reginald Foakes (handout)
 * Articles**
 * The Basics**

Chapter Two: The Bards Wife, Germaine Greer Chapter Six: Handfasts and Troth-plights, Germaine Greer Love, Sex, and Marriage: Martin Ingram The Arranged Marriage in Early Tudor England: Barbara Harris A Clandestine Marriage: Alison Wall Coming of Age in Verona: Coppelia Kahn
 * Gender**

Shakespeare and Emotional Distance in the Elizabethan Family: Marianne Novy

Conventions of Playwrighting, Peter Thomson Prologues, Songs, and Actor’s Parts: Tiffany Stern The Evolution of Tastes: Andrew Gurr Introduction to The Actor and the Target: Cheek by Jowl Elizabethan Play-boys in the Adult London Companies: Robert Barrie
 * Kinds of Acting and production**

The Dance of Shakespeare, Jim Hoskins Rehearsal, Performance and Plays: Tiffany Stern Props, Music, and Stage Directions: Tiffany Stern Physical Conditions: Andrew Gurr Shakespeare and the Dance: Walter Sorrell Perpelexing Signals in Some Elizabethan Stage Directions: Michela Calore Why Did London Inns Function as Theaters? Lawrence Manley
 * Technical Aspects of production**

Language of Shakespeare, David Crystal Shakespeare’s Verse, Russ McDonald The Iambic Pentameter Line, George Wright Shakespeare’s Metrical Technique in Dramatic Passages, George Wright Versification, Scott McMillin and Sally-Beth MacLean Shakespeare’s Imagery: Shakespeare’s Tastes and Interests, Caroline Spurgeon
 * Language**

The Fencing-actor Lines in Shakespeare’s Plays: James Jackson The Logic of Elizabethan Stage Violence: Alan Dessen Public Fencing Contests on Elizabethan Stages: McElroy and Cartwright Schools of Defense in Elizabethan London: Jay Anglin The Challenge to Single Combat in Shakespeare: Susan Snyder Stage Dueling in Elizabethan Theater: Louis Wright (1927) Tybalt’s Spanish Fencing in //Romeo and Juliet//: Adolph Soens
 * Stage Fighting and Dueling**

= = = = = = = = =Stratford upon Avon=

Mary Arden Farm

Anne Hathaway Cottage

St. Edward's School Room and the Guild Hall

Guild Chapel

Harvard House

New Place

Hall's Croft

Holy Trinity Church

=London= George’s Inn

Middle Temple Hall

Globe Theater

Rose Theater

Shakespeare in the City walking tour

Tower of London